Prime Pen Publishing Reviews 13

I'm a quiet introvert and dreaded the back-and-forth of the publishing process, but my project manager kept everything in clear written threads instead of constant calls. Small thing, but it made working with them genuinely sustainable for me. The book itself shipped on time and the index was unusually well done.

My first contact was an acquisitions editor who clearly read my full submission rather than skimming the synopsis. That set the tone for everything that followed. Communication slowed down a bit during the production phase, but the project manager caught up quickly when I flagged it. Honest, decent people to work with.

I am twenty nine and this was my first time navigating any kind of professional publishing relationship and I was absolutely terrified of coming across as inexperienced or asking questions that revealed how little I knew about the industry. Teagan made that fear disappear within the first ten minutes of our first call. She was warm and direct and treated me like a professional from the very beginning regardless of my age or my experience level. That respect meant everything to me and I think about it every time I recommend them to other young writers.

The friendships in this book mattered more to me than anything else in it. My editor understood that completely and protected them throughout the entire process. Readers keep telling me the relationships moved them more than the plot did. That is exactly right and exactly what I wanted.

My novel goes to some difficult places and I was genuinely worried the team would ask me to pull back on the harder parts to make the book easier to sell. That conversation never happened. My editor engaged with the difficult material thoughtfully and her notes were always about making the writing better not making it safer. There is a real difference between those two things and I was relieved to find an editor who understood that difference clearly.

Honestly I went into this not knowing what to expect. First time publishing a novel and I had heard enough bad stories from other writers to be genuinely nervous about handing my manuscript to strangers. What I found was a team that read my book carefully and came back with notes that actually made sense. Not vague suggestions about voice or tone but specific, clear feedback about what was working and what needed more attention. My editor was patient with my questions and never made me feel like I was being difficult for having strong opinions about my own work.

Tonal consistency was maintained across the entire manuscript without editorial pressure toward commercial lightening. World building was assessed with genuine genre intelligence. The dark fantasy readership was reached through appropriately targeted genre channels.

My mother called me crying after she read it. Said she finally understood me. We have not always found it easy to understand each other. The book did in two hundred pages what thirty years of conversation had not quite managed. I did not write it for her but it found her anyway and found the thing between us that needed finding. No publishing team can take credit for that. But they put the book in her hands and that is enough. That is everything.

Originally wrote the book in Farsi and translated it into English myself over two years. The linguistic negotiation between the two versions taught me things about both languages I hadn't known before. The editorial team worked with the English translation respectfully and only touched what genuinely needed touching. The voice survived the crossing intact which was always the most important thing.

Book came out eight weeks ago and I still wake up some mornings not quite believing it is real. Check the online listings just to confirm it exists. It always does. It is always there. The team made something permanent happen and permanent things take a while to feel completely real. Give it time apparently.

Managing thirty two contributing authors while also working with a publisher simultaneously is exactly as chaotic as it sounds. The coordination support from their team kept everything from completely unraveling. Several contributors have since told me it was the smoothest anthology process they've been part of. I'll take that.

My life has been genuinely chaotic and funny in equal measure and I wrote about all of it. The editor laughed in the right places which sounds like a low bar but it really isn't. She also told me when something wasn't as funny as I thought it was which took courage on her part. The final book is tighter and funnier for it. Uncomfortable feedback is a gift.

True crime is a genre people have strong feelings about and I wanted to make sure the book handled its real subjects with dignity. The ethics conversations I had with my editor were some of the most thoughtful I've encountered in any professional setting.